In this issue there are a variety of papers dealing with identity politics and ensemble theatre making. Papers include analysis of the work of Anna Deavere Smith, Elizabeth LeCompte, and the Wooster Group. In addition, there are papers that explore contemporary American theatre from the perspective of feminism and identity politics.
Published: 2013-01-30
Articles
Emerging Scholars
Built for Motherhood or Built for Sex: Locating the True "Womanhood" in Sarah Treem's The How and The Why
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