Legitimizing Aristotelian Ethical Thought and Its Integration into a Theory of the Cardinal Virtues

Seán O’Casey’s Juno and the Paycock on the 1990s Abbey Theatre Stage

The Benefits of Integrating Black American and African American Vernacular English into Rhetoric and Composition Education

The Theatricality of Revenge and How It Shapes Identity

Creation Theory and Ethics in Paradise Lost and Frankenstein

Virginia Women’s Resentment in 1862-1870

Staging Sociopolitical Shifts through Disability in the Abbey Theatre’s Productions of Translations